How can
we possibly envision the world around us seen through the
UV-sensitive eyes of an insect? Some answers are obtained
by using the advanced technique of Ultraviolet Colour
Photography. Such images are presented here. However,
in the end it is the human brain that must interpret the
results to integrate these weird pictures into our
ordinary world. |
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The UV
range starts below 400 nm, i.e. deep violet. Usually UV
radiation is divided into three main ranges, these are
UV-A (320-400 nm), UV-B (280-320 nm) and
UV-C (below 280 nm). We humans are effectively
"blind" to this radiation and it is felt mainly
indirectly through sun-burns, irritated eyes and an
elevated risk of skin cancer. The shorter wavelengths are
the most dangerous in this respect. |
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Modern
optics pass very little radiation below 400 nm and this
is exacerbated by current films being fairly insensitive
to UV. Spectral sensitivity curves of some films are
given here. So, getting a
UV image onto film is easier said than done.
Specialised, very expensive quartz optics are your best
bet. For those not willing to spend a fortune on quartz
lenses, your best alternatives are old, uncoated camera
lenses (preferably pre-WW II), copying lenses or
pinhole cameras. Fuji RTP is the currently best film
choice for recording UV images. It must be used in
conjunction with a "black", UV-transparent
filter over the lens. Wratten 18A or equivalents provide
the necessary filtration. The light source can be a
blazing sun (the best), UV flash units, xenon or
mercury lamps, or direct daylight. UV light is very
diffuse to give soft shadows even under strong sunlight. |
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More details on the spectral properties of daylight and of the filters used in UV photography can be found here. |
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Last Update 1 October, 2002